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On Wednesday, February 17, 2010
Agenda
Theater The Circle (Rosary, Argentina)
November 2
SET MUSICAL PRO OF ROSARY I Agree in adherence to the 47th Anniversary of the Institution with the participation of Pro Música Antiqua Rosario, Baroque Band of the Rosary and soloists. Direction: Mtro. CRISTIAN HERNANDEZ LARGUIA. He programmes: Works of Henry Purcell and George Frederic Haendel.
Theater The Circle (Rosary, Argentina)
November 4
SIBERIAN VIRTUOSI (Russia) the Director: Mtro. FLAVIO MASTRANGELO
Theater The Circle (Rosary, Argentina)
November 5
PROVINCIAL SYMPHONIC BAND OF Governing ROSARY: Mtro. NICOLAS RAUSS - Soloist: WASHED GUILLERMO, flute (Chile) - Choir of the Opera of Rosary. The director: HORACIO CASTLE
Theater The Circle (Rosary, Argentina)
November 8
NEAT GABRIEL The music in the court of the Médicis - Between the Renaissance and the Baroque - Firenze 1600. I coordinate in the frame of II International Festival of Musical Antigua of Rosary, with the participation of the Choir of Lourdes, Victoria Consort, Baroque Band, Soloists, Group of Dances with epoch suits.
Theater The Circle (Rosary, Argentina)
November 12
PAULA SHOCRON Trío jazz Recital - Presents his CD "HOMAGE" Paula Shocron: piano, Jerónimo Carmona: double bass, Carto Brandán: battery.
Big Teatre del Liceu (Barcelona, Spain)
November 2, 5, 7, 8, 10, 11, 13 and 16
Król Roger - King Roger Karol Szymanowski Ópera in three acts without interruption. Libretto of Jaroslaw Iwaszkiewicz and of the composer based on Bacchae de Eurípides. Music of Karol Szymanowski. Released on June 19, 1926 in the Theater Wielki of Warsaw. I release in Spain.
Big Teatre del Liceu (Barcelona, Spain)
November 6
Concert Vivaldi I Simfonia in Do major per to corda i continu, RV 14 «Ho il cor già lacerated», of Griselda, RV 718 «the Sun gives you mine dolce amore», d’Orlando Furiously, RV 728 Simfonia in the Sun major per to corda i continu, RV 146 Concert in the minor Sun «The notte», per to flute, corda i piano, op. 10, n. 2, RV 439 «to Return voglio to the cousin ardore», d’Arsilda, regina di Ponto, RV 700 «Icy in ogni vein», of Farnace, RV 711 II Concert in the Sun major per to two violins, RV 516 «Face sorte», of The verità in Mezzo-soprano established, RV 739 «My wretched spirto», d’Ottone in town, RV 729 Concert in Do major per to flautí, RV 443 «Armatae face et anguibus», of Juditha triumphans devicta Holofernes barbarism, RV 644: Magdalen Kozená ORCHESTRATES BAROQUE OF VENICE Conductor: Andrea Marcon
Big Teatre del Liceu (Barcelona, Spain)
November 15
Concert Szymanowski: Concerning Król Roger Ricarda Merbeth, soprano Agnes Zwierko, mezzo-soprano Pavlo Tolstoy, tenor Alexander Teliga, under Band Simfónica and Choir of Big Teatre del Liceu. Conductor: Josep Pons
Big Teatre del Liceu (Barcelona, Spain)
Noviermbre 24, 25, 26, 27, 28, 29 and 30
The Superbarber of Seville A partir de his peculiar and personal humor, the company Tricicle checks and adapts for the young public the opera Il barbiere I gave Siviglia de Rossini. AGE: 8 Years Spectacle sung in Catalan
Big Teatre del Liceu (Barcelona, Spain)
November 27 and 28
Hypermusic Prologue Hèctor Parra Opera Proyectiva in seven planes Libretto of Lisa Randall based on his work Warped Passages. Music of Héctor Parra. Due absolute premiere on June 15, 2009 in the Center Pompidou of Paris. I release in Spain.
Real theater (Madrid, Spain)
November 1, 2, 3, 4, 6, 7, 9, 10, 13, 14, 16, 17 and 18
Gioachino Rossini (1792-1868) Dramma giocoso in two acts Libretto of Angelo Anelli, based on the work homónima of Luigi Mosca Edición critical of the Foundation Rossini de Pésaro, in collaboration with House responsible for Ricordi A. Publishing and proprietary Corghi Casa Ricordi-BMG Ricordi and Spa of Milan. New production of the Real Theater in joint production with Florentine Maggio Musicale, Grand Théâtre of Bordeaux and the Houston Grand Opera Choir of the Community of Madrid, Titular Band of the Real Theater (Symphonic Band of Madrid)
Real theater (Madrid, Spain)
November 2 and 5
Agrippina Georg Friedrich Händel (1685-1759) musical Dramma per in three acts, HW6 Libretto of Vincenzo Grimani
Real theater (Madrid, Spain)
November 12
I Benjamin Britten DIVIDES lyric concert of Renée Fleming: Musical Maninées, op. 24: Night Waltz goes perpetual Movement Gioachino Rossini: Armida: "D'amor to the dolce empire" Giuseppe Verdi: Otello: Was ballet "piú calmly?... Piangea singing... Ave Maria" PART II Richard Strauss: Ständchen, op. 17, nº 2 Winterweihe, op. 48, nº 4 Freundliche Vision, op. 48, nº 1 Zueignung, op. 10, nº 1 Pietro Mascagni: Him maschere: Overture Iris: "One d ì (ero piccina)" Umberto Giordano: Siberia: "Not! Pensier... Nel suo amore rianimata" Fedora: "Troppo tardi! Tutto tramonta, tutto dilegua" Ruggero Leoncavallo: The bohème: "Living Musette svaria sulla bocca" "Ma vi chetate!... Mimi Pinson, the biondinetta" Giacomo Puccini: The bohème: "Where lieta usci to the tuo grido d'amore" Titular Band of the Real Theater (Symphonic Band of Madrid)
Real theater (Madrid, Spain)
November 12, 13 and 15
The history of the soldier Igor Stravinski (1882 - 1971) From 12 years Soloists of the Band - school of the Symphonic one of Madrid
Real theater (Madrid, Spain)
November 27, 28 and 29
Zápisník zmizelého Leos Janâcek (1854-1928) Cycle of songs based on poems of Ozef Kalda Production of the Real Theater (2008)
Municipal theater (Santiago, Chile)
November 2, 3 and 5
Opera The Italian in Algiers of G. Governing Rossini: Ranee Calderon Régie: Emilio Sagi Escenografía: Enrique Bordolini Vestuario: Renata Schussheim Isabella: Marianna Pizzolato Mustafa: Pietro Spagnoli Lindoro: Kenneth Tarver Taddeo: José Fardilha Haly: Patricio Sabaté Elvira: Patricia Cifuentes Zulma: Claudia Godoy Director: Ranee Calderon Régie: Emilio Sagi Escenografía: Enrique Bordolini Iluminación: Eduardo Bravo Vestuario: Renata Schussheim Con scenery of Enrique Bordolini and régie of Emilio Sagi, will show herself a modern vision of this entertaining opera.
Municipal theater (Santiago, Chile)
November 23
Pianist Bruno L. Gelber A.Scarlatti: Three Sonatas L.v. Beethoven: Sonata Nº 3 Op. 2 Nº 3 R. Schumann: Carnival Op.9 F. Chopin: Walking Spianato and Big Polonaise
Theater Columbus (Bs. Grasp., Argentina)
October 1
O.F.B.A. Function Nº 11 - I Coordinate Joint production with Musical Festivals For reforms in the Theater Coliseum – Marcelo T. de Alvear 1125
Theater Columbus (Bs. Grasp., Argentina)
October 2
Musical festivals the Director: Helmuth Rilling Solistas: Soledad de la Rosa, soprano - Carlos Ullán, tenor - Hernán Iturralde, baritone Choir Choral society, direction Néstor Andrenacci Franz Joseph Haydn Creation For reforms in the Theater Coliseum – Marcelo T. de Alvear 1125
Theater Columbus (Bs. Grasp., Argentina)
October 8
O.F.B.A. Function Nº 12 - Governing Concert: Yoav Talmi Solista: Radovan Vlatkovic, horn Christoph Willibald Gluck Suite of the Ballet “Don Juan ” Richard Strauss Concierto Nº2 in My biggest Happy flat Mendelssohn Sinfonía Nº3 in The minor “Escocesa ” Op.56 Por reforms in the Theater Coliseum – Marcelo T. de Alvear 1125
Brief
On February 17, 1653: Arcangelo Corelli, musician and Italian composer is born. Grosso contributed to the crystallization of the concerto. Author of numerous instrumental works (Concert of Christmas, The Follia, sonatas), father of the sonata for violin and inspirer of a group of composers of this instrument like Varacini, Germiniani and Viotti.
On February 13, 1883: Richard Wagner dies in Venice. Composer of German origin, renovator of the romantic opera. His inclination towards the music did not wake up up to knowing the works of Weber and Beethoven. After a life lax and invested in the game and the women, he married and traveled to Paris and then to Dresden, where his work was recognized. The transfer of his remains was comparable to the funeral procession of a big sovereign one.
On February 13, 1976: the soprano Lily Pons dies. A voice crystalline and extended towards the sharp one, joined a graceful figure and personal friendliness, they constitute the props of the formidable success of Lily Pons. An exceeded publicity helped to do of her almost a sacred monster of the singing; so much it was so in the decade of '40 went so far as to consider her to be the best singer of the world.
On February 12, 1924: there is released "Rhapsody In Blue" of George Gershwin. Gershwin managed to unite in this work three fundamental elements of the music of his country: the piano popular tradition, the harmonic treatment of the music of the theater of varieties and all the ambience of the African American blues.
On February 10, 1881: I release in Paris of "The Stories of Hoffmann" of Jacques Offenbach. The opera is an adaptation of Jules Barbier and Michel Carré of several stories of writer Ernst T.A. Hoffmann. The first one takes place with a mechanical doll, the second one with the victim of the conjuration of a magician, and the third one with a moribund sick person. The history begins with a prologue ambientado in a bar.
Appointments
Daniel Barenboim
"The director does not have physical contact with the music that his instrumentalists produce and at most he can correct the phrasing or the rhythm of the score but his gesture does not exist if it does not find a band that is receiving"George Gershwin
"It would give everything what I have as a little of the genius that Schubert needed to compose his Ave Maria"Gustav Mahler
"When the work turns out to be a success, when a problem has been solved, we forget the difficulties and the perturbations and feel richly rewarded"Franz Schubert
"When one is inspired by something good, the musician is born fluently, the melodies sprout; really this is a big satisfaction"Bedrich Smetana
"With the help and the God's grace, I will be a Mozart in the composition and a Liszt in the skill"
MULTIMEDIA
Macabre dance
Camille Saint Saens
Manuel de Falla (the first works)
Biography
I agree for violin, piano and band of ropes in re minor
Félix Mendelssohn
Tristán and Isolda
Richard Wagner
Interpreters
Musicians
Astor Piazzolla
Piazzolla represents one of the rarest cases in which an author is unrolled of extraordinary form so much in the world of the popular music, with his tangos of Buenos Aires, as in that of the refined or classic music. Called symphonic tango created a new genre renewing this way of decisive form the tango. If it is considered that the work of Piazzolla begins in 1946 with The desbande and concludes in 1990, with Him grand tango and with Five tango sensations, that the same year records with the quartet of ropes Kronos, it is deduced that it covers 46 years, space in which it produced not less than eight hundred works.
Voices
Carlos Gardel
Carlos Gardel is perhaps the biggest myth of the Argentina. His artistic skill, his incomparable talent as singer of the suburbs of Buenos Aires, his musical instinct to compose some of the biggest tangos of all the times, his marvelous character, his fanaticism for the careers, have led him to being equalled perhaps only by another legend of the country of the south of the Silver: Eva Perón. Nevertheless, while all political activity can be worth of objections, comments and mistrust on the part of certain sectors of the population, the figure of Carlos Gardel is erected as universally for all the Argentinians and the followers of the tango across the world.
Paris, on February 16
Juan José Mosalini: the soul of the bandoneón beats in Paris
The music and the dance of the River Plate came to the margins of the Seine more than one century ago, seducing the French, but Juan José Mosalini lives through the tango now a real explosion in France, of the hand of some of his contemporary teachers, like the bandoneonista. In an interview with the AFP in Paris, before traveling to Argentina, where it will offer two concerts, and from which it will set off then in the direction of China, Mosalini evoked "passionate and unconditional" relation between Paris and the tango and between he and the bandoneón, which came to his hands when it was a chiquilín.
Granada, on February 16
International festival tango Granada dedicates his XXII edition to Carlos Gardel
75 anniversary of the death of the singer and tanguista Carlos Gardel will lead XXII edition of the International Festival of Tango of Granada, which also will organize several parallel activities between which there are holidays of trasnoche, tango in the university or an exhibition. Between the artists who will take part in three forms of the festival - dance, set of instruments and sung - there is Leo Sujatovich, Cristian Zárate and the Japanese couple of dance Kyoto and Hiros Yamao.
