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On Wednesday, February 17, 2010

Cards | Composers> Romanticism

Paganini, Niccol�

Romanticism

Italy [1782-1840]

Composer and valued violinist of Italian origin. His talent and his appearance gave him reputation of "diabolical", but the public and the musicians were idolizing it. He stood out from child, studied with Servetto and Coast, and later in Liorna with Pa�r and in Parma with rolla. After a devastating success interpreting proper and foreign works, it moved back for three years to deepen his skill in the interpretation of the guitar. Nevertheless, it reappeared in the stages devoting itself like the best violinist of the history up to this moment. Paganini extended the interpretive possibilities of the violin by means of special fingerings and positions much advanced in the diapason, and ended with the myths of the need for certain physical conditions for the execution of the instrument. He died during a trip to France, in which it knew and helped to Berlioz.

Chronology

1782 was born on October 27 in Genoa.
1790 gave his first public concert in Genoa.
1796 came to Parma to study with rolla.
1797 became independent of the tyranny of his father.
1805 reappeared in the stages, acting also like teacher of chapel of Luca's princess.
1809 followed the princess Elisa up to Florence.
1813 a concert in Milan dedicated it like the biggest violinist of his time.
1828 the first European tour along Vienna.
1831 came to Paris and with him the polemic on the myths about his life.
1838 his health turned out to be very affected and lost the voice.
1840 died in May 27 Nice, France.

Principal Works

1805 twenty-four caprices Op. 1 (violin).
1813 the Bruges.
1818 I coordinate in re major Op. 6 (violin and band).
1826 I agree if minor Op. 7 (The Campanella).
1829 changes for violin and band on the Carnival of Venice.
1830 motorbike perpetuated Op.11. In addition to Changes Nel cuor pi� nonmi sat; Fantasy in the rope of the sun; Sonatina Grande.

Cards | Composers> Romanticism

Period of the history of the music that includes approximately the XIXth century, with different esthetic expressions included in the same one, and that emphasizes the imagination and the fantasy if the same. Enlightener of the music answers this movement to the crisis of the conception. The music is inspired by the nature. There heightens the individuality the subjetivismo and the emotion, the humanism, the national identity and the component revolutionist, and the mitificaci�n of the Middle Age. The Romanticism includes the whole XIXth century although in advance, in Beethoven they begin perceiving characteristics that are outlining this new period. It can be said that the transition of the Classicism to the Romanticism took place without brusqueness, as if this was the result of the natural evolution of the classic style. The composers of this period, on the other hand, found a historical and cultural situation more favorable that it was allowed them to provide with a wider cultural baggage; the musician was liberated of the dependency from composing or interpreting for the church or for some prince or guardian. Also, the bourgeoisie became emancipated, the cities increased his population greatly. Consequently, the love for the cultural activities in general and the music in particular made to increase greatly the demand of musician and of interpreters. This extended the possibilities fan so that the musicians could exercise his art with major independence and with major possibilities of success. The XIXth century, and the romanticism in particular, was present at a big number of musical declarations.

Brief

On February 17, 1653: Arcangelo Corelli, musician and Italian composer is born. Grosso contributed to the crystallization of the concerto. Author of numerous instrumental works (Concert of Christmas, The Follia, sonatas), father of the sonata for violin and inspirer of a group of composers of this instrument like Varacini, Germiniani and Viotti.
On February 13, 1883: Richard Wagner dies in Venice. Composer of German origin, renovator of the romantic opera. His inclination towards the music did not wake up up to knowing the works of Weber and Beethoven. After a life lax and invested in the game and the women, he married and traveled to Paris and then to Dresden, where his work was recognized. The transfer of his remains was comparable to the funeral procession of a big sovereign one.
On February 13, 1976: the soprano Lily Pons dies. A voice crystalline and extended towards the sharp one, joined a graceful figure and personal friendliness, they constitute the props of the formidable success of Lily Pons. An exceeded publicity helped to do of her almost a sacred monster of the singing; so much it was so in the decade of '40 went so far as to consider her to be the best singer of the world.
On February 12, 1924: there is released "Rhapsody In Blue" of George Gershwin. Gershwin managed to unite in this work three fundamental elements of the music of his country: the piano popular tradition, the harmonic treatment of the music of the theater of varieties and all the ambience of the African American blues.
On February 10, 1881: I release in Paris of "The Stories of Hoffmann" of Jacques Offenbach. The opera is an adaptation of Jules Barbier and Michel Carr� of several stories of writer Ernst T.A. Hoffmann. The first one takes place with a mechanical doll, the second one with the victim of the conjuration of a magician, and the third one with a moribund sick person. The history begins with a prologue ambientado in a bar.

Appointments

Daniel Barenboim
"The director does not have physical contact with the music that his instrumentalists produce and at most he can correct the phrasing or the rhythm of the score but his gesture does not exist if it does not find a band that is receiving"
George Gershwin
"It would give everything what I have as a little of the genius that Schubert needed to compose his Ave Maria"
Gustav Mahler
"When the work turns out to be a success, when a problem has been solved, we forget the difficulties and the perturbations and feel richly rewarded"
Franz Schubert
"When one is inspired by something good, the musician is born fluently, the melodies sprout; really this is a big satisfaction"
Bedrich Smetana
"With the help and the God's grace, I will be a Mozart in the composition and a Liszt in the skill"

MULTIMEDIA

Caprice N� 24

Niccol� Paganini
Aida

Giuseppe Verdi
In the night in the Bald Mount

Modest Mussorgsky
The spring consecration

Igor Stravinsky

Interpreters

Musicians

Astor Piazzolla

Piazzolla represents one of the rarest cases in which an author is unrolled of extraordinary form so much in the world of the popular music, with his tangos of Buenos Aires, as in that of the refined or classic music. Called symphonic tango created a new genre renewing this way of decisive form the tango. If it is considered that the work of Piazzolla begins in 1946 with The desbande and concludes in 1990, with Him grand tango and with Five tango sensations, that the same year records with the quartet of ropes Kronos, it is deduced that it covers 46 years, space in which it produced not less than eight hundred works.

Voices

Carlos Gardel

Carlos Gardel is perhaps the biggest myth of the Argentina. His artistic skill, his incomparable talent as singer of the suburbs of Buenos Aires, his musical instinct to compose some of the biggest tangos of all the times, his marvelous character, his fanaticism for the careers, have led him to being equalled perhaps only by another legend of the country of the south of the Silver: Eva Per�n. Nevertheless, while all political activity can be worth of objections, comments and mistrust on the part of certain sectors of the population, the figure of Carlos Gardel is erected as universally for all the Argentinians and the followers of the tango across the world.

Paris, on February 16

Juan Jos� Mosalini: the soul of the bandone�n beats in Paris

The music and the dance of the River Plate came to the margins of the Seine more than one century ago, seducing the French, but Juan Jos� Mosalini lives through the tango now a real explosion in France, of the hand of some of his contemporary teachers, like the bandoneonista. In an interview with the AFP in Paris, before traveling to Argentina, where it will offer two concerts, and from which it will set off then in the direction of China, Mosalini evoked "passionate and unconditional" relation between Paris and the tango and between he and the bandone�n, which came to his hands when it was a chiquil�n.

Granada, on February 16

International festival tango Granada dedicates his XXII edition to Carlos Gardel

75 anniversary of the death of the singer and tanguista Carlos Gardel will lead XXII edition of the International Festival of Tango of Granada, which also will organize several parallel activities between which there are holidays of trasnoche, tango in the university or an exhibition. Between the artists who will take part in three forms of the festival - dance, set of instruments and sung - there is Leo Sujatovich, Cristian Z�rate and the Japanese couple of dance Kyoto and Hiros Yamao.

Letters

To see m�s letters

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On Wednesday, February 17, 2010

Cards | Composers> Romanticism

Paganini, Niccol�

Romanticism

Chronology

Principal Works

Cards | Composers> Romanticism

Brief

Appointments

MULTIMEDIA

Caprice N� 24

Aida

In the night in the Bald Mount

The spring consecration

Interpreters

Musicians

Astor Piazzolla

Voices

Carlos Gardel

Paris, on February 16

Juan Jos� Mosalini: the soul of the bandone�n beats in Paris

Granada, on February 16

International festival tango Granada dedicates his XXII edition to Carlos Gardel

Letters