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On Wednesday, February 17, 2010
Cards | Periods of the Music> Baroque
New instrumental genres
The baroque opera derived in the emergence of new forms of instrumental expression for his specialization and organizational needs. From the opera and the ballet there arose pieces lacking in singing as overtures and intervals, as well as the symphony of opera, which in Venice was called a canzonas overture, with a slow section and rapid other one, turned then into tripartite French overtures. Meanwhile in Naples there was born a symphony of opera of three parts that was touching in the concerts of the academies. This way there arose instrumental works of programmatic or incidental character, which they answered to a source of external inspiration to the music, like the aquatic and Musical Music for the real Haendel fireworks. Also they were consisting canzonas of sounding, that were emulating the singing with the instruments; intradas, that were used to paint a personage on having entered the operatic scene; and ritornellos, used like introduction, interlude and end of the sung pieces. Also, consolidated instrumental forms stood out time later.
Suite
Between the court dances of the Renaissance, the suite or series of dances of the Baroque gathered especially the succession of slow and rapid instrumental pieces, of opposite characters. During the XVIIth century German suites composers stood out for band as Hassler, Schein and Scheidt, which then Rosenmüller joined creating suites with introduction (or symphonies) or J. S. Bach, Haendel and Telemann, which will denote the French influence in his overtures. The French orchestral suite arises from the same one and from that of the ballet, starting with an overture followed by French dances of the epoch. His principal exponents were Lully and Rameau.
Sonata in Trio
On the fínal of the XVIIth century, Arcangelo Corelli stood out for the sonatas creation in trio, being the first Italian composer of the epoch dedicated only to the instrumental music.Most of these works are composed by four movements that keep the slow order - rápido-lento-rápido, initiating with a prelude followed by two or three dances of the suite.
Leeway of the sonata gives chiesa (of church) and sonata gives for a three-quarter bed (of camera) and it is orchestrated for two sharp instruments (in general, violins) and burden one like a violoncello.
Sonata
The first sonatas for violin, the sonatas of camera and the first suites of the XVIIth century give place to a musical form that is consolidated in the XVIIIth and it caused most of the classic musical forms, from the symphony or the quartet of ropes, which approach increasingly the sonatas for band or instrumental sets.Like that were born the first sonatas for key of Johann Kuhnau, who created a form with prelude and escape, adagio, allegro and piece gives boss that recovered J. S. Bach. Along with Domenico Scarlatti, the form sonata advances towards a finished tonal plan. This evolution, which would end with the classic sonatas of Haydn, Mozart and Beethoven, came to his definitive form with Carl Philipp Emanuel, the most famous son of Bach.
Brief
On February 17, 1653: Arcangelo Corelli, musician and Italian composer is born. Grosso contributed to the crystallization of the concerto. Author of numerous instrumental works (Concert of Christmas, The Follia, sonatas), father of the sonata for violin and inspirer of a group of composers of this instrument like Varacini, Germiniani and Viotti.
On February 13, 1883: Richard Wagner dies in Venice. Composer of German origin, renovator of the romantic opera. His inclination towards the music did not wake up up to knowing the works of Weber and Beethoven. After a life lax and invested in the game and the women, he married and traveled to Paris and then to Dresden, where his work was recognized. The transfer of his remains was comparable to the funeral procession of a big sovereign one.
On February 13, 1976: the soprano Lily Pons dies. A voice crystalline and extended towards the sharp one, joined a graceful figure and personal friendliness, they constitute the props of the formidable success of Lily Pons. An exceeded publicity helped to do of her almost a sacred monster of the singing; so much it was so in the decade of '40 went so far as to consider her to be the best singer of the world.
On February 12, 1924: there is released "Rhapsody In Blue" of George Gershwin. Gershwin managed to unite in this work three fundamental elements of the music of his country: the piano popular tradition, the harmonic treatment of the music of the theater of varieties and all the ambience of the African American blues.
On February 10, 1881: I release in Paris of "The Stories of Hoffmann" of Jacques Offenbach. The opera is an adaptation of Jules Barbier and Michel Carré of several stories of writer Ernst T.A. Hoffmann. The first one takes place with a mechanical doll, the second one with the victim of the conjuration of a magician, and the third one with a moribund sick person. The history begins with a prologue ambientado in a bar.
Appointments
Daniel Barenboim
"The director does not have physical contact with the music that his instrumentalists produce and at most he can correct the phrasing or the rhythm of the score but his gesture does not exist if it does not find a band that is receiving"George Gershwin
"It would give everything what I have as a little of the genius that Schubert needed to compose his Ave Maria"Gustav Mahler
"When the work turns out to be a success, when a problem has been solved, we forget the difficulties and the perturbations and feel richly rewarded"Franz Schubert
"When one is inspired by something good, the musician is born fluently, the melodies sprout; really this is a big satisfaction"Bedrich Smetana
"With the help and the God's grace, I will be a Mozart in the composition and a Liszt in the skill"
MULTIMEDIA
Sonata violin and piano N ° 1
Johannes Brahms
I coordinate serenade
Joaquín Rodrigo
If. My chiamamo Mimí
Mirella Freni (Mimí)
George Gershwin
Biography
Interpreters
Musicians
Astor Piazzolla
Piazzolla represents one of the rarest cases in which an author is unrolled of extraordinary form so much in the world of the popular music, with his tangos of Buenos Aires, as in that of the refined or classic music. Called symphonic tango created a new genre renewing this way of decisive form the tango. If it is considered that the work of Piazzolla begins in 1946 with The desbande and concludes in 1990, with Him grand tango and with Five tango sensations, that the same year records with the quartet of ropes Kronos, it is deduced that it covers 46 years, space in which it produced not less than eight hundred works.
Voices
Carlos Gardel
Carlos Gardel is perhaps the biggest myth of the Argentina. His artistic skill, his incomparable talent as singer of the suburbs of Buenos Aires, his musical instinct to compose some of the biggest tangos of all the times, his marvelous character, his fanaticism for the careers, have led him to being equalled perhaps only by another legend of the country of the south of the Silver: Eva Perón. Nevertheless, while all political activity can be worth of objections, comments and mistrust on the part of certain sectors of the population, the figure of Carlos Gardel is erected as universally for all the Argentinians and the followers of the tango across the world.
Paris, on February 16
Juan José Mosalini: the soul of the bandoneón beats in Paris
The music and the dance of the River Plate came to the margins of the Seine more than one century ago, seducing the French, but Juan José Mosalini lives through the tango now a real explosion in France, of the hand of some of his contemporary teachers, like the bandoneonista. In an interview with the AFP in Paris, before traveling to Argentina, where it will offer two concerts, and from which it will set off then in the direction of China, Mosalini evoked "passionate and unconditional" relation between Paris and the tango and between he and the bandoneón, which came to his hands when it was a chiquilín.
Granada, on February 16
International festival tango Granada dedicates his XXII edition to Carlos Gardel
75 anniversary of the death of the singer and tanguista Carlos Gardel will lead XXII edition of the International Festival of Tango of Granada, which also will organize several parallel activities between which there are holidays of trasnoche, tango in the university or an exhibition. Between the artists who will take part in three forms of the festival - dance, set of instruments and sung - there is Leo Sujatovich, Cristian Zárate and the Japanese couple of dance Kyoto and Hiros Yamao.
