On Wednesday, February 17, 2010

Cards | Dictionary

Letter a
A:
Name of the note Her in the Anglo-Saxon notation.
To Capella:
"As in a chapel", style of choral singing without instruments accompaniment.
Abajar:
Ancient word used in books of instruments of sound (like the lute) to refer to lowering the tone or changing the refining of the instrument.
Open, Musical:
Term that describes a type of music whose structure is not fixed, but it arises at the moment of the interpretation, acting at random, how in the random music.
Clamp:
Metallic ring that holds the tongue to the mouth of some wind instruments.
Absorption:
Acoustic phenomenon that muffles the sonorous waves on having shocked against certain soft materials, for example, the damper of some instruments.
Acciaccatura:
Musical adornment of the instruments of keyboard. It consists of the first note that happens quickly to another neighbor.
Accidental, accident:
Alteration that does not appear in the key armor.
Accelerating:
To increase progressively the tempo, the execution speed.
Accent:
Sound emphasized between successive several, element that allows a rhythmic change that is salted of you budget in the structure of the compass.
Accolade:
Species of key that is written embracing several melodic lines in a score, to point out that they touch together.
Accompaniment:
Parts of a composition that act in a background with regard to other elements like the principal melody or the counterpoint.
Chord:
Sound resultant from the simultaneity of several notes. Some of them receive special names, like major, minor chord, etc.
Accordion:
Wind instrument driven by bellows, which produces sounds on having blown and to make to vibrate a few tongues of free movement inside the instrument. There usually has a keyboard (like that of the piano, but smaller) that touches with the right hand, and other of buttons, to the left.
Acoustics:
Part of the physicist who studies the nature, forms of spread and perception of the sound.
Ad Libitum:
Part of a composition that the interpreter can execute with entire freedom and even suppress.
Adagio:
Term with which a slow speed of the tempo is indicated.
Adaptation:
To see arrangement.
Additional, Lines:
Rayitas who join to the stave to write too low or high notes to be inside his five parallel lines.
Adornment:
Rapid sounds inserted in the musical performance to embellish and to change a written melody.
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Brief

  • On February 17, 1653: Arcangelo Corelli, musician and Italian composer is born. Grosso contributed to the crystallization of the concerto. Author of numerous instrumental works (Concert of Christmas, The Follia, sonatas), father of the sonata for violin and inspirer of a group of composers of this instrument like Varacini, Germiniani and Viotti.

  • On February 13, 1883: Richard Wagner dies in Venice. Composer of German origin, renovator of the romantic opera. His inclination towards the music did not wake up up to knowing the works of Weber and Beethoven. After a life lax and invested in the game and the women, he married and traveled to Paris and then to Dresden, where his work was recognized. The transfer of his remains was comparable to the funeral procession of a big sovereign one.

  • On February 13, 1976: the soprano Lily Pons dies. A voice crystalline and extended towards the sharp one, joined a graceful figure and personal friendliness, they constitute the props of the formidable success of Lily Pons. An exceeded publicity helped to do of her almost a sacred monster of the singing; so much it was so in the decade of '40 went so far as to consider her to be the best singer of the world.

  • On February 12, 1924: there is released "Rhapsody In Blue" of George Gershwin. Gershwin managed to unite in this work three fundamental elements of the music of his country: the piano popular tradition, the harmonic treatment of the music of the theater of varieties and all the ambience of the African American blues.

  • On February 10, 1881: I release in Paris of "The Stories of Hoffmann" of Jacques Offenbach. The opera is an adaptation of Jules Barbier and Michel Carré of several stories of writer Ernst T.A. Hoffmann. The first one takes place with a mechanical doll, the second one with the victim of the conjuration of a magician, and the third one with a moribund sick person. The history begins with a prologue ambientado in a bar.


Appointments

  • Daniel Barenboim
    "The director does not have physical contact with the music that his instrumentalists produce and at most he can correct the phrasing or the rhythm of the score but his gesture does not exist if it does not find a band that is receiving"

  • George Gershwin
    "It would give everything what I have as a little of the genius that Schubert needed to compose his Ave Maria"

  • Gustav Mahler
    "When the work turns out to be a success, when a problem has been solved, we forget the difficulties and the perturbations and feel richly rewarded"

  • Franz Schubert
    "When one is inspired by something good, the musician is born fluently, the melodies sprout; really this is a big satisfaction"

  • Bedrich Smetana
    "With the help and the God's grace, I will be a Mozart in the composition and a Liszt in the skill"

MULTIMEDIA

  • Symphony 3 "Regrandma"

    Robert Schumann

  • Alleluja

    Kathleen Battle

  • Spring voices

    Johann Strauss

  • Salomé

    Richard Strauss

Interpreters

Musicians

Astor Piazzolla

Astor Piazzolla

Piazzolla represents one of the rarest cases in which an author is unrolled of extraordinary form so much in the world of the popular music, with his tangos of Buenos Aires, as in that of the refined or classic music. Called symphonic tango created a new genre renewing this way of decisive form the tango. If it is considered that the work of Piazzolla begins in 1946 with The desbande and concludes in 1990, with Him grand tango and with Five tango sensations, that the same year records with the quartet of ropes Kronos, it is deduced that it covers 46 years, space in which it produced not less than eight hundred works.

Voices

Carlos Gardel

Carlos Gardel

Carlos Gardel is perhaps the biggest myth of the Argentina. His artistic skill, his incomparable talent as singer of the suburbs of Buenos Aires, his musical instinct to compose some of the biggest tangos of all the times, his marvelous character, his fanaticism for the careers, have led him to being equalled perhaps only by another legend of the country of the south of the Silver: Eva Perón. Nevertheless, while all political activity can be worth of objections, comments and mistrust on the part of certain sectors of the population, the figure of Carlos Gardel is erected as universally for all the Argentinians and the followers of the tango across the world.

Paris, on February 16

Juan José Mosalini: the soul of the bandoneón beats in Paris

The music and the dance of the River Plate came to the margins of the Seine more than one century ago, seducing the French, but Juan José Mosalini lives through the tango now a real explosion in France, of the hand of some of his contemporary teachers, like the bandoneonista. In an interview with the AFP in Paris, before traveling to Argentina, where it will offer two concerts, and from which it will set off then in the direction of China, Mosalini evoked "passionate and unconditional" relation between Paris and the tango and between he and the bandoneón, which came to his hands when it was a chiquilín.

Granada, on February 16

International festival tango Granada dedicates his XXII edition to Carlos Gardel

75 anniversary of the death of the singer and tanguista Carlos Gardel will lead XXII edition of the International Festival of Tango of Granada, which also will organize several parallel activities between which there are holidays of trasnoche, tango in the university or an exhibition. Between the artists who will take part in three forms of the festival - dance, set of instruments and sung - there is Leo Sujatovich, Cristian Zárate and the Japanese couple of dance Kyoto and Hiros Yamao.

Letters

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