Tied to the culture of his city and the region, the Symphonic Band of White Bay, which fulfilled this year his first 50 years of life, keeps on growing, being renewed, expiring with his public and spreading the universal pleasure for the good music. At present under the guidance of the teacher José Antonio Cerón Ortega the provincial organism, one of the most southern of the world, account with more than hundred members.
The history of the National Symphonic Band (OSN) is complex in his beginnings. The first institution that it can be considered how group germinal from the above mentioned organism arose in 1882, when there formed the Band of the Conservatory, which modified his name for of Symphonic National in 1916...
The Band Pablo Sarasate has decided to adopt a denomination «more according to his current situation and with the position for that he looks for her in the future, inside the national and international panorama». Now Pablo Sarasate answers the musical formation to the name of Symphonic Band of Navarre, although also it will serve the title of Symphonic Band of Navarre, to dry seasons, or the initials OSN.
The Band was founded in 1903 by most of the components of the Society of Concerts The first stable symphonic band of Spain, created by Barbieri in 1866-, and it appeared in the Real Theater of Madrid on February 7, 1904, directed by Alonso Cordelás.
It is the most ancient symphonic Band established in Bulgaria, it was founded in 1928 on initiative of the notable violinist, governing and educational Teacher Sasha Popov.
The New York Steal, American Record Guide and Acustic Guitar receive enthusiastically a recording of the OSG with Manuel Barrueco. Brilliant considers to be the prestigious North American publication American Record Guide the last record work of the OSG, baroque Concert, edited by the British stamp EMI and that includes a series of concerts for guitar of A. Vivaldi along with the work baroque Concert of Roberto Sierra y Fratres of Arvo Pärt.
The Symphonic Band of Salta of Argentina was created by Provincial Law in the year 2000, by unanimous decision of the Term and it began his musical activities in 2001. By means of a demanding International Contest his Director Fundador Mtro was selected. Felipe Izcaray and 91 musicians who, being of nationalities and different musical schools, enriched the cultural baggage of the province.
It was created in 1948 like Symphonic Band of the State with the target to promote the directors, composers and Argentine performers and to spread the outstanding figures of the music in big and small auditoria. For his unvaluable contribution to the Argentine musical culture, in 1989 the Band was rewarded by the diploma to the merit that grants the Foundation Konex.
On June 10, 1948 the O.S.UNCuyo was created, being a rector of this house of studies Dr. Irineo Fernando Cruz and the director of the Conservatory of Music and Scenic Art the teacher Julio Perceval.
It is the most ancient symphonic set in the cultural panorama of the Mexico City and it constitutes one of the preponderant factors of the cultural project of major transcendency of the country: that of the Autonomous National University of Mexico.
The “orquesta ” was referring initially to the semicircular area of a theater in classic Greek, between the stage and the public, where it was dancing the choir. In European theaters of opera of the XVIIth century the same area was occupied by the musicians. With the time the name of the space was assigned to those who were acting in him. Now, the word “orquesta ” means any numerous group of performers between whom there are stringed instruments. If there are no ropes, the group is a “banda ”.
On February 17, 1653: Arcangelo Corelli, musician and Italian composer is born. Grosso contributed to the crystallization of the concerto. Author of numerous instrumental works (Concert of Christmas, The Follia, sonatas), father of the sonata for violin and inspirer of a group of composers of this instrument like Varacini, Germiniani and Viotti.
On February 13, 1883: Richard Wagner dies in Venice. Composer of German origin, renovator of the romantic opera. His inclination towards the music did not wake up up to knowing the works of Weber and Beethoven. After a life lax and invested in the game and the women, he married and traveled to Paris and then to Dresden, where his work was recognized. The transfer of his remains was comparable to the funeral procession of a big sovereign one.
On February 13, 1976: the soprano Lily Pons dies. A voice crystalline and extended towards the sharp one, joined a graceful figure and personal friendliness, they constitute the props of the formidable success of Lily Pons. An exceeded publicity helped to do of her almost a sacred monster of the singing; so much it was so in the decade of '40 went so far as to consider her to be the best singer of the world.
On February 12, 1924: there is released "Rhapsody In Blue" of George Gershwin. Gershwin managed to unite in this work three fundamental elements of the music of his country: the piano popular tradition, the harmonic treatment of the music of the theater of varieties and all the ambience of the African American blues.
On February 10, 1881: I release in Paris of "The Stories of Hoffmann" of Jacques Offenbach. The opera is an adaptation of Jules Barbier and Michel Carré of several stories of writer Ernst T.A. Hoffmann. The first one takes place with a mechanical doll, the second one with the victim of the conjuration of a magician, and the third one with a moribund sick person. The history begins with a prologue ambientado in a bar.
"The director does not have physical contact with the music that his instrumentalists produce and at most he can correct the phrasing or the rhythm of the score but his gesture does not exist if it does not find a band that is receiving"
"It would give everything what I have as a little of the genius that Schubert needed to compose his Ave Maria"
"When the work turns out to be a success, when a problem has been solved, we forget the difficulties and the perturbations and feel richly rewarded"
"When one is inspired by something good, the musician is born fluently, the melodies sprout; really this is a big satisfaction"
"With the help and the God's grace, I will be a Mozart in the composition and a Liszt in the skill"
Piazzolla represents one of the rarest cases in which an author is unrolled of extraordinary form so much in the world of the popular music, with his tangos of Buenos Aires, as in that of the refined or classic music. Called symphonic tango created a new genre renewing this way of decisive form the tango. If it is considered that the work of Piazzolla begins in 1946 with The desbande and concludes in 1990, with Him grand tango and with Five tango sensations, that the same year records with the quartet of ropes Kronos, it is deduced that it covers 46 years, space in which it produced not less than eight hundred works.
Carlos Gardel is perhaps the biggest myth of the Argentina. His artistic skill, his incomparable talent as singer of the suburbs of Buenos Aires, his musical instinct to compose some of the biggest tangos of all the times, his marvelous character, his fanaticism for the careers, have led him to being equalled perhaps only by another legend of the country of the south of the Silver: Eva Perón. Nevertheless, while all political activity can be worth of objections, comments and mistrust on the part of certain sectors of the population, the figure of Carlos Gardel is erected as universally for all the Argentinians and the followers of the tango across the world.
The music and the dance of the River Plate came to the margins of the Seine more than one century ago, seducing the French, but Juan José Mosalini lives through the tango now a real explosion in France, of the hand of some of his contemporary teachers, like the bandoneonista. In an interview with the AFP in Paris, before traveling to Argentina, where it will offer two concerts, and from which it will set off then in the direction of China, Mosalini evoked "passionate and unconditional" relation between Paris and the tango and between he and the bandoneón, which came to his hands when it was a chiquilín.
75 anniversary of the death of the singer and tanguista Carlos Gardel will lead XXII edition of the International Festival of Tango of Granada, which also will organize several parallel activities between which there are holidays of trasnoche, tango in the university or an exhibition. Between the artists who will take part in three forms of the festival - dance, set of instruments and sung - there is Leo Sujatovich, Cristian Zárate and the Japanese couple of dance Kyoto and Hiros Yamao.
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