ForMusicLovers.net | Notes | Community HLM | Diana Damrau, the color of the voice and the sound of a declaration of love

Cards
Composers

Works

Periods of the music

Instruments

Sets

Theory of the music

Dictionary

On Wednesday, February 17, 2010

Community HLM

Diana Damrau, the color of the voice and the sound of a declaration of love

Article env�ado for Michael Thallium to formusiclovers.net - There Were the two only earnings that were staying to the sale. Only three days ago, a good friend had called me to say to me that he believed that it was operating, in the Real Theater of Madrid, this soprano that I liked so much, such Diana Nosequ�. I answered: Do you refer to Diana Damrau? Saying and fact! I bought the earnings and invited my friend to to listen to the color of a spectacular and prodigious voice.

This was the best Christmas present that occurred to me that it could do to him whom I had informed myself about the presence of the Damrau �ignorante of her � in Madrid �: And say in the reveille! Curiously �entresijos of the destination �, amen of enjoying the concert, my friend was a witness of the only and unrepeatable declaration of love � but about that I will speak later.

Diana Damrau is what in the slang of the singing knows coloratura soprano as one, a specialist in executing melism�ticos adornments virtuosistas in the melodies. The word coloratura comes from the Italian and alludes to the color. Undoubtedly, the indescribable voice of this one affable soprano German is coloring, very coloring, but Diana is more than a voice: she is an artist, she is an actress, she is an exceptional interpreter, it is the voice of the colors of the emotions. What prodigious one to be able to paint emotions with the voice! This is what Diana Damrau did the night of December 23, 2009 in the Real Theater of Madrid: it painted of the most beautiful colors the linen of my heart, caressed my ears with his sonorous brush and left me with the most beautiful picture identical with the soul worth being exhibited in the Louvre of Paris, the Prado Museum of Madrid or the Guggenheim of New York.

On having finished the concert, I 'stood in line to be able to speak with her, although only out in a few minutes. He realized well what he wanted to say to him. While my shift was coming, I began conversation with a group of musical students of singing and with a pianist. I livened up the waiting sharing opinions and musical tastes with them. They had come from Cordova to Madrid to see and to listen to Diana Damrau and were returning on the same night to the city of the Mosque, 800 km in one day. For them my recognition goes for his meritorious passion for the music.

And, then, it came to me the shift � There it was she who was, seated and smiling. His voice had won the love of me was doing time, but on having seen it there, so beautiful as nice, it dazzled me and I fell in love with any of her. It had a little time, so I got down to business. It was my first love declaration in German. I looked at it to these beautiful eyes and said to him that it loved it, that it was in love completely. She laughed. My friend did a photo to us. I did a photo to the natives of Cordoba with Diana and went away more satisfied than a few Easters.

Moan, Diana, if you knew that only one month ago I declared my friends that I wanted a fianc�e as you! Then, it did not even come my to the mind that, one month later, would have the opportunity to declare myself you really: Diana, ich habe mich unsterblich in dich verliebt! Saying in flat Castilian: Up to the cudgels, of you and of your colors, I have fallen in love! And the fact is that I also wanted to paint your life with the sound of a declaration of love �

Article env�ado for Michael Thallium to contacto@formusiclovers.net on the performance of the soprano German Diana Damrau in the Real Theater of Madrid last December 23

More Notes: Symphonic band of Venezuela will realize auditions on Friday, the 26th of February; The first Latin-American Meeting of Musical Management; A game for Iphone based on five operas; Contest of the Symphonic Band and Ballet of the Province of Salta; Auditions of viola, violin and bassoon in the Symphonic one of Santa Fe

To see Record

Brief

On February 17, 1653: Arcangelo Corelli, musician and Italian composer is born. Grosso contributed to the crystallization of the concerto. Author of numerous instrumental works (Concert of Christmas, The Follia, sonatas), father of the sonata for violin and inspirer of a group of composers of this instrument like Varacini, Germiniani and Viotti.
On February 13, 1883: Richard Wagner dies in Venice. Composer of German origin, renovator of the romantic opera. His inclination towards the music did not wake up up to knowing the works of Weber and Beethoven. After a life lax and invested in the game and the women, he married and traveled to Paris and then to Dresden, where his work was recognized. The transfer of his remains was comparable to the funeral procession of a big sovereign one.
On February 13, 1976: the soprano Lily Pons dies. A voice crystalline and extended towards the sharp one, joined a graceful figure and personal friendliness, they constitute the props of the formidable success of Lily Pons. An exceeded publicity helped to do of her almost a sacred monster of the singing; so much it was so in the decade of '40 went so far as to consider her to be the best singer of the world.
On February 12, 1924: there is released "Rhapsody In Blue" of George Gershwin. Gershwin managed to unite in this work three fundamental elements of the music of his country: the piano popular tradition, the harmonic treatment of the music of the theater of varieties and all the ambience of the African American blues.
On February 10, 1881: I release in Paris of "The Stories of Hoffmann" of Jacques Offenbach. The opera is an adaptation of Jules Barbier and Michel Carr� of several stories of writer Ernst T.A. Hoffmann. The first one takes place with a mechanical doll, the second one with the victim of the conjuration of a magician, and the third one with a moribund sick person. The history begins with a prologue ambientado in a bar.

Appointments

Daniel Barenboim
"The director does not have physical contact with the music that his instrumentalists produce and at most he can correct the phrasing or the rhythm of the score but his gesture does not exist if it does not find a band that is receiving"
George Gershwin
"It would give everything what I have as a little of the genius that Schubert needed to compose his Ave Maria"
Gustav Mahler
"When the work turns out to be a success, when a problem has been solved, we forget the difficulties and the perturbations and feel richly rewarded"
Franz Schubert
"When one is inspired by something good, the musician is born fluently, the melodies sprout; really this is a big satisfaction"
Bedrich Smetana
"With the help and the God's grace, I will be a Mozart in the composition and a Liszt in the skill"

MULTIMEDIA

This way he was speaking Zarathustra

Richard Strauss
Symphony N � "Pastoral" 6

Ludvig van Beethoven
Orfeo

Claudio Monteverdi
Sonata for piano if minor

Franz Liszt

Interpreters

Musicians

Astor Piazzolla

Piazzolla represents one of the rarest cases in which an author is unrolled of extraordinary form so much in the world of the popular music, with his tangos of Buenos Aires, as in that of the refined or classic music. Called symphonic tango created a new genre renewing this way of decisive form the tango. If it is considered that the work of Piazzolla begins in 1946 with The desbande and concludes in 1990, with Him grand tango and with Five tango sensations, that the same year records with the quartet of ropes Kronos, it is deduced that it covers 46 years, space in which it produced not less than eight hundred works.

Voices

Carlos Gardel

Carlos Gardel is perhaps the biggest myth of the Argentina. His artistic skill, his incomparable talent as singer of the suburbs of Buenos Aires, his musical instinct to compose some of the biggest tangos of all the times, his marvelous character, his fanaticism for the careers, have led him to being equalled perhaps only by another legend of the country of the south of the Silver: Eva Per�n. Nevertheless, while all political activity can be worth of objections, comments and mistrust on the part of certain sectors of the population, the figure of Carlos Gardel is erected as universally for all the Argentinians and the followers of the tango across the world.

Paris, on February 16

Juan Jos� Mosalini: the soul of the bandone�n beats in Paris

The music and the dance of the River Plate came to the margins of the Seine more than one century ago, seducing the French, but Juan Jos� Mosalini lives through the tango now a real explosion in France, of the hand of some of his contemporary teachers, like the bandoneonista. In an interview with the AFP in Paris, before traveling to Argentina, where it will offer two concerts, and from which it will set off then in the direction of China, Mosalini evoked "passionate and unconditional" relation between Paris and the tango and between he and the bandone�n, which came to his hands when it was a chiquil�n.

Granada, on February 16

International festival tango Granada dedicates his XXII edition to Carlos Gardel

75 anniversary of the death of the singer and tanguista Carlos Gardel will lead XXII edition of the International Festival of Tango of Granada, which also will organize several parallel activities between which there are holidays of trasnoche, tango in the university or an exhibition. Between the artists who will take part in three forms of the festival - dance, set of instruments and sung - there is Leo Sujatovich, Cristian Z�rate and the Japanese couple of dance Kyoto and Hiros Yamao.

Letters

To see m�s letters

TO B C D E F G H I J K
L M N O P Q R S T U
V W X AND Z