In this edition of our digital magazine we produce just homage to two big composers of different epochs, Giuseppe Verdi and Wolfgang Amadeus Mozart. Also in this number we celebrate the annual month of formusiclovers.net. The Web place of Classical music, Opera and Tango with transmission of a radio in alive 24 hs, two channels of videos and reports mp3 and a magazine; in addition to actuality information and encyclopedic, it is four years and wants to share it with you: faithful witnesses of our way!
Magazine HLM is a year of life. From our first number up to the date the growth of this way to been constant, not only in format and contents but in readership and adherences. The specializing Magazine in classic and opera of the Web is today a modality of the musical genre that we choose and feel those that we form formusiclovers.net!
Robert Schumann was the most passionate German composer, he had a life marked by the pain and the mental illness. He studied piano and music simultaneously that was doing the proper thing with the poetry. From the beginning, he confessed an admiration for the songs of Schubert that pushed it to compose proper works. It supported the creation of the musical society Davidsbündler and the New Musical Magazine, in which it was proclaiming the genius of Chopin or Brahms. He married the pianist Clara Wieck, daughter of his ancient teacher. It usually concentrated on different genres for time; for example, until 1840 it devoted itself to the music for piano, during 1841 to the orchestral way, while on the year following the chamber music with several quartets and a quintet for piano.
It is interesting to verify that the subjetivismo and individuality of the romanticism gave place to a nationalistic idea applied to the art local and musician. It finished with a cosmopolitism period in that a German composer could triumph in Paris doing operas in Italian. This attitude led several not Italian composers to raising a proper, national and distinctive language of his people. This idea developed throughout the century, first in the creative centers of Italy, Germany and France.
In homage to the one who was born and dying during March, the Magazine Nº 6 will be dedicated to Modest Mussorgsky. The most Russian, because he could reflect in his music the folklore of the country as no other compatriot. Mussorgsky was a genius in potency, the most creative of the musicians of his homeland and an incomparable creator on a global scale. In him we do not find influences of other composers not of schools of the epoch, it composed original music with a strong basement in his ground.
On January 21 formusiclovers.net it is three years in the network. Verbalizar about his trajectory and to qualify this period would be to fall down in a common place slightly representative of the spirit of the company. The age is irrelevant if we think that he is born in every step. For many, to fulfill years is to add time. The most optimistic call it “experiencia ”. But: how to name to the growth based in incorporating new projects?
The music of Gioacchino Rossini, who has been supported for the long time, especially for The barber of Seville, provides happiness to us today with long half a dozen of operas. There is in them humor and ingenuity as seldom, but especially there is authentic comedy, surprising virtuosity, enormous comprehension of the art and a plenitude of inspiration that never droops. The facility with which he was inventing melodies borders on the incredible thing. In twenty years it composed forty operas, several times were four in one year, and during other (1812) composed neither more nor less than six.
The impressionistic movement arose in France at the end of the XIXth century with painters like Monet, Cezanne, Degas and Renoir that impelled the exit of the art of the workshops to bring over to the nature, with his lights, diffuse transitions of color, everything what created an ambience impression. As for the music, the term impressionism was applied in a similar way. They arose you appear as Debussy, Ravel, Scriabin, Flaw or Respighi, between others. Debussy started a new concept of the music, liberated of the ties related to the tonality.
Charles Gounod was born on June 17 in Paris, was educated in a boarding school and his love to the music made it join the Conservatory of Paris, where it obtained the Prix de Rome, which brought it over to the Italian liturgical music and especially to the work of Palestrina, who led it to masses and other proper religious pieces. Also he was an organist and he studied theology studies. But the cousin donna Pauline Viardot entrusted him the composition of an opera, Safo. From this moment, it kept on composing for the scene, without a lot of success, up to achieving the consecration with Magnificence.
Before the First World war, the romanticism conquered followers with the started for Mahler in his Eighth symphony and Schoenberg in his Gurrelieder. The style began to dream too bombastically and his emocionalismo occurred into sentimentality. This sensation led several composers to recapturing the simple-mindedness of ideas of the classicism. The XVIIIth century served as reflex in which the musicians of the XXth looked for his inspiration and the objectivity of a purer musical language...
In search of the excellence, the Nº 5 of the Magazine Hágase the Music focuses on his attention in "the" composer. To speak about Richard Wagner is to speak about a finished musician, who penetrates the limits of the music herself, without structural barriers. Wagner takes the music lover avezado towards ends that rub the inaccessible thing, because not anyone there comes to him and much less the listener eager for simple and sticky melodies. Wagner is further away, in a top level.
150 years after the birth of Giacomo Puccini, the entire World produces a just homage to the creator of a proper style of marked lyricism, teatralidad and passion. Magazine Hágase the Music adds to the festivities of the Year Puccini in a new edition dedicated to covering his life and his work centred on one of his operas, perhaps the most consecrated and known internationally: The Boheme, of 1896.
On February 17, 1653: Arcangelo Corelli, musician and Italian composer is born. Grosso contributed to the crystallization of the concerto. Author of numerous instrumental works (Concert of Christmas, The Follia, sonatas), father of the sonata for violin and inspirer of a group of composers of this instrument like Varacini, Germiniani and Viotti.
On February 13, 1883: Richard Wagner dies in Venice. Composer of German origin, renovator of the romantic opera. His inclination towards the music did not wake up up to knowing the works of Weber and Beethoven. After a life lax and invested in the game and the women, he married and traveled to Paris and then to Dresden, where his work was recognized. The transfer of his remains was comparable to the funeral procession of a big sovereign one.
On February 13, 1976: the soprano Lily Pons dies. A voice crystalline and extended towards the sharp one, joined a graceful figure and personal friendliness, they constitute the props of the formidable success of Lily Pons. An exceeded publicity helped to do of her almost a sacred monster of the singing; so much it was so in the decade of '40 went so far as to consider her to be the best singer of the world.
On February 12, 1924: there is released "Rhapsody In Blue" of George Gershwin. Gershwin managed to unite in this work three fundamental elements of the music of his country: the piano popular tradition, the harmonic treatment of the music of the theater of varieties and all the ambience of the African American blues.
On February 10, 1881: I release in Paris of "The Stories of Hoffmann" of Jacques Offenbach. The opera is an adaptation of Jules Barbier and Michel Carré of several stories of writer Ernst T.A. Hoffmann. The first one takes place with a mechanical doll, the second one with the victim of the conjuration of a magician, and the third one with a moribund sick person. The history begins with a prologue ambientado in a bar.
"The director does not have physical contact with the music that his instrumentalists produce and at most he can correct the phrasing or the rhythm of the score but his gesture does not exist if it does not find a band that is receiving"
"It would give everything what I have as a little of the genius that Schubert needed to compose his Ave Maria"
"When the work turns out to be a success, when a problem has been solved, we forget the difficulties and the perturbations and feel richly rewarded"
"When one is inspired by something good, the musician is born fluently, the melodies sprout; really this is a big satisfaction"
"With the help and the God's grace, I will be a Mozart in the composition and a Liszt in the skill"
Piazzolla represents one of the rarest cases in which an author is unrolled of extraordinary form so much in the world of the popular music, with his tangos of Buenos Aires, as in that of the refined or classic music. Called symphonic tango created a new genre renewing this way of decisive form the tango. If it is considered that the work of Piazzolla begins in 1946 with The desbande and concludes in 1990, with Him grand tango and with Five tango sensations, that the same year records with the quartet of ropes Kronos, it is deduced that it covers 46 years, space in which it produced not less than eight hundred works.
Carlos Gardel is perhaps the biggest myth of the Argentina. His artistic skill, his incomparable talent as singer of the suburbs of Buenos Aires, his musical instinct to compose some of the biggest tangos of all the times, his marvelous character, his fanaticism for the careers, have led him to being equalled perhaps only by another legend of the country of the south of the Silver: Eva Perón. Nevertheless, while all political activity can be worth of objections, comments and mistrust on the part of certain sectors of the population, the figure of Carlos Gardel is erected as universally for all the Argentinians and the followers of the tango across the world.
The music and the dance of the River Plate came to the margins of the Seine more than one century ago, seducing the French, but Juan José Mosalini lives through the tango now a real explosion in France, of the hand of some of his contemporary teachers, like the bandoneonista. In an interview with the AFP in Paris, before traveling to Argentina, where it will offer two concerts, and from which it will set off then in the direction of China, Mosalini evoked "passionate and unconditional" relation between Paris and the tango and between he and the bandoneón, which came to his hands when it was a chiquilín.
75 anniversary of the death of the singer and tanguista Carlos Gardel will lead XXII edition of the International Festival of Tango of Granada, which also will organize several parallel activities between which there are holidays of trasnoche, tango in the university or an exhibition. Between the artists who will take part in three forms of the festival - dance, set of instruments and sung - there is Leo Sujatovich, Cristian Zárate and the Japanese couple of dance Kyoto and Hiros Yamao.
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