On Wednesday, February 17, 2010

Magazine HLM

Magazine Hágase the Musician Nº 7

Magazine Hágase the Musician 7

Before the First World war, the romanticism conquered followers with the started for Mahler in his Eighth symphony and Schoenberg in his Gurrelieder. The style began to dream too bombastically and his emocionalismo occurred into sentimentality. This sensation led several composers to recapturing the simple-mindedness of ideas of the classicism. The XVIIIth century served as reflex in which the musicians of the XXth looked for his inspiration and the objectivity of a purer musical language...







The change arose in France and later it spread over Europe. One of his first and principal figures was the re-turned one Stravinski, which decided to leave the route of the folk allegory. The spirit neoclasicista turned into the frank lingua of the XXth century and allowed the creators' incorporation of all the latitudes, one of them was the composer of Ukrainian origin, of pure neoclassic inspiration, Sergei Prokofiev.

Small Sergei studied music with his mother and then with Tanaiev, Rimski-Korsakov, Cherepin and Liadov. Although after the Revolution he went into exile in the United States, later it returned to the Soviet Union where it was an object of the maximum honors and represented the highest ideals of the Soviet art, to lose his privileges for his support to a work of Muradeli criticized by the Stalinist official nature. The cultural policy considered to be the work of Prokofiev like "decadent formalism" unable to reflect "the nobility of the Soviet people" for his tendency to the ridiculous one and to a grotesque thing. Like reply, it composed works of support to the communist ideal, which cost him the securing of the Award Stalin in 1951. The form and the lyricism are the elements most emphasized from his style.

His Classic Symphony, a clear precedent of the neoclassicism, capture you form, melodies, structures of phrases and typical rhythms of the classic period and it twists them in a humorous way and simultaneously gracefully. We can "listen" to an original hypothetical version of the music watching below the surface. In other words, it is as if we could eliminate the ingenuity and discover a real classic symphony.

Also in this number... We travel round the Bohemia of Dvorák, meet The Magic Flute of Mozart and decipher the Changes Puzzler of Edward Elgar. become the Musician Tango presents the relation between Gardel and Razzano, HLMJAZZ to Bill Evans, we honor Yehudi Menuhin to 10 years of his death and Jorge De Hegedüs writes on the Teacher Arturo Toscanini.

Magazine Hágase the Music! 7 - April, 2009


More Notes
Magazine Hágase the Music N ° 14
Magazine Hágase the Music N ° 13
Magazine Hágase the Music N ° 12
Magazine Hágase the Music N ° 11
Magazine Hágase the Music N ° 10

To see Record




Brief

  • On February 17, 1653: Arcangelo Corelli, musician and Italian composer is born. Grosso contributed to the crystallization of the concerto. Author of numerous instrumental works (Concert of Christmas, The Follia, sonatas), father of the sonata for violin and inspirer of a group of composers of this instrument like Varacini, Germiniani and Viotti.

  • On February 13, 1883: Richard Wagner dies in Venice. Composer of German origin, renovator of the romantic opera. His inclination towards the music did not wake up up to knowing the works of Weber and Beethoven. After a life lax and invested in the game and the women, he married and traveled to Paris and then to Dresden, where his work was recognized. The transfer of his remains was comparable to the funeral procession of a big sovereign one.

  • On February 13, 1976: the soprano Lily Pons dies. A voice crystalline and extended towards the sharp one, joined a graceful figure and personal friendliness, they constitute the props of the formidable success of Lily Pons. An exceeded publicity helped to do of her almost a sacred monster of the singing; so much it was so in the decade of '40 went so far as to consider her to be the best singer of the world.

  • On February 12, 1924: there is released "Rhapsody In Blue" of George Gershwin. Gershwin managed to unite in this work three fundamental elements of the music of his country: the piano popular tradition, the harmonic treatment of the music of the theater of varieties and all the ambience of the African American blues.

  • On February 10, 1881: I release in Paris of "The Stories of Hoffmann" of Jacques Offenbach. The opera is an adaptation of Jules Barbier and Michel Carré of several stories of writer Ernst T.A. Hoffmann. The first one takes place with a mechanical doll, the second one with the victim of the conjuration of a magician, and the third one with a moribund sick person. The history begins with a prologue ambientado in a bar.


Appointments

  • Daniel Barenboim
    "The director does not have physical contact with the music that his instrumentalists produce and at most he can correct the phrasing or the rhythm of the score but his gesture does not exist if it does not find a band that is receiving"

  • George Gershwin
    "It would give everything what I have as a little of the genius that Schubert needed to compose his Ave Maria"

  • Gustav Mahler
    "When the work turns out to be a success, when a problem has been solved, we forget the difficulties and the perturbations and feel richly rewarded"

  • Franz Schubert
    "When one is inspired by something good, the musician is born fluently, the melodies sprout; really this is a big satisfaction"

  • Bedrich Smetana
    "With the help and the God's grace, I will be a Mozart in the composition and a Liszt in the skill"

MULTIMEDIA

  • Symphony 41 "Jupiter"

    Wolfgang A. Mozart

  • Dammi i colori... Recondite harmony

    Mario del Monaco (Mario Cavaradossi)

  • Small night music

    Wolfgang Amadeus Mozart

  • Gymnopedie 1

    Erik Satie

Interpreters

Musicians

Astor Piazzolla

Astor Piazzolla

Piazzolla represents one of the rarest cases in which an author is unrolled of extraordinary form so much in the world of the popular music, with his tangos of Buenos Aires, as in that of the refined or classic music. Called symphonic tango created a new genre renewing this way of decisive form the tango. If it is considered that the work of Piazzolla begins in 1946 with The desbande and concludes in 1990, with Him grand tango and with Five tango sensations, that the same year records with the quartet of ropes Kronos, it is deduced that it covers 46 years, space in which it produced not less than eight hundred works.

Voices

Carlos Gardel

Carlos Gardel

Carlos Gardel is perhaps the biggest myth of the Argentina. His artistic skill, his incomparable talent as singer of the suburbs of Buenos Aires, his musical instinct to compose some of the biggest tangos of all the times, his marvelous character, his fanaticism for the careers, have led him to being equalled perhaps only by another legend of the country of the south of the Silver: Eva Perón. Nevertheless, while all political activity can be worth of objections, comments and mistrust on the part of certain sectors of the population, the figure of Carlos Gardel is erected as universally for all the Argentinians and the followers of the tango across the world.

Paris, on February 16

Juan José Mosalini: the soul of the bandoneón beats in Paris

The music and the dance of the River Plate came to the margins of the Seine more than one century ago, seducing the French, but Juan José Mosalini lives through the tango now a real explosion in France, of the hand of some of his contemporary teachers, like the bandoneonista. In an interview with the AFP in Paris, before traveling to Argentina, where it will offer two concerts, and from which it will set off then in the direction of China, Mosalini evoked "passionate and unconditional" relation between Paris and the tango and between he and the bandoneón, which came to his hands when it was a chiquilín.

Granada, on February 16

International festival tango Granada dedicates his XXII edition to Carlos Gardel

75 anniversary of the death of the singer and tanguista Carlos Gardel will lead XXII edition of the International Festival of Tango of Granada, which also will organize several parallel activities between which there are holidays of trasnoche, tango in the university or an exhibition. Between the artists who will take part in three forms of the festival - dance, set of instruments and sung - there is Leo Sujatovich, Cristian Zárate and the Japanese couple of dance Kyoto and Hiros Yamao.

Letters

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