Doctor of Philosophy, essayist, catedrática, writer of theater and of works on literature of the XXth century, the Italian teacher Gabriella Bianco will present in the next Fair of the Book his novel Wolfgang and Magdalen, on the last clandestine love and the violent death of the composer Wolfgang Amadeus Mozart (1756-1791).

Owing to this next presentation, Bianco detailed that in 2002 there published in Italy this novel dedicated to the death of Mozart and to the events that they led to his violent disappearance.

"Beyond my love for this music of absolute levity and grace without equal, the element shooter of my interest was the still mysterious and indecisive history of this death and the events that surrounded last years of the short life of Mozart", it indicated.

According to the work, Magdalen met the Mozart the first, intoxicated by his music and, then, personally when the composer agreed to give his classes of piano: ambience in which both - teacher and disciple - fell in love passionately without thinking that the tragedy ensañaría then fatally with his lives. The current direct familiar sources of the young unhappy that the authoress had opportunity to consult in 1997 for his investigation, will meet punctually in the promotion of the book, of next appearance in the country.

Across a captivating narrative and emotion in emotion, Bianco says that the husband of the young woman, of name Franz, was a member of the Viennese Masonic sect "The Crowned Hope" and also strong deserving lender of Mozart to whom the composer owed the most important sum of money fruit of his habitual squanderings.
But, beyond the debt, it is the jealousy those that are paid normally with blood, since desperate Franz gives death to the composer, also member of the same Masonic sect.

After committing an outrage fallidamente against his wife Magdalen, Franz - judicial official of the Crown - life is taken supposedly by imposition of the sect that takes care of the honor of his members and puts in game his power to avoid the scandal and his public consequences that would be irreparable "more than the death of Mozart".

Bianco remembered that several essays published in the latter years have doubted the official versions on the death of Mozart, between others, that of the poisoning of the composer on the part of Antonio Salieri: completely groundless assumption and that does honor neither to the big Italian teacher of the Court of Vienna nor to his human and artistic trajectory.

The authoress insisted that there cannot refuse the responsibilities of the sect that it had between his adherents to Mozart and to its own killer, and that the organization had all the interest to avoid the scandal in addition to the Imperial Court and of his immaculate image.

"The tragic events took place in the days immediately previous to December 5, 1791 with the death and the mysterious burial of Mozart and on the 6th the facts broke loose in Franz's family when this one attacked his wife Magdalen with the intention of killing it and then life was taken", the Italian essayist concluded.

You try on the authenticity of the skull
    
The mystery concerning the authenticity of the "skull of Mozart" preserved in Salzburg increased for the absence of convincing results of the analyses of ADN entrusted by the public television of Austria, the ORF, which had supported the failure on the revelations.

The ADN of the supposed skull of the composer preserved from 1902 for the Foundation Mozarteum of Salzburg and the samples extracted from skeletons that grow up of the grandmother Euphosina and the niece Jeannette, of Wolfgang Amadeus Mozart, shows without discussion that kinship does not exist between these three persons, as affirms Walther Parson, of the Institute Police physician of Innsbruck.

The results were confirmed by the Central Laboratory of the North American Armed forces, in charge of the expert's report of cross-check.

The exhumations, realized in 2004 and 2005, despite the disapproval of the catholic Church, they were much criticized by the historian Brigitte Hamann, who thought that there was "offense on the rest of the dead persons doing publicity this year of the commemoration".

The scientific community is divided on the authenticity of the skull, which it never went so far as to determine. The legend says that the relic devoid of the lower jaw, was "discovered" in 1801 by a gravedigger, Joseph Rothmayer, who 10 years earlier had been present at the burial, in the cemetery Saint Marx of Vienna, of the composer, who died at the age of 35 years.

Rothmayer had said that it had pointed the place occupied by the mortal remains of Mozart in the common grave for 16 bodies where it was buried, and that it had separated the skull of the rest of the skeleton when the pit was funny.

A monument in the cemetery Saint Marx commemorates the death of Mozart but the emplacement of the skeleton could never be certain.

The skull was preserved later by the anatomist Joseph Hyrtl before being bequeathed to the Foundation Mozarteum, which exhibited the big public until 1940 and it keeps on preserving it in Salzburg.